Many times, a person is faced with a lot of unknowns when purchasing a microphone for the first time. Whether it be for a child joining an orchestra, or for a person fulfilling a lifelong dream of starting a band, there is actually a lot to learn. For those new to microphone lingo, chances are you are unaware of the many microphone types and the differences between them. Many of these differences can affect your choice of instrument microphones or any other type, for that matter. In this article we look at what you need to look for before purchasing your microphones.
You need to understand these terms. Transient response – how a microphone reproduces speed of voice/instrument. If you want a more technical definition, the transient response of a microphone is its ability to respond to rapidly changing sound waves. Frequency response – how a microphone responds to different frequencies. Sound Pressure Levels (SPLs) – could be defined as a measure of the strength or intensity of sound. I could get technical here, but suffice it to say that, for the average person, loudness or volume are good words to associate here.
As you understand how the microphone works you can decide on buying them. Ofcourse you must select the right company where from you will buy the microphone and for this you will have to carry on the required research work. You must see through the different company sites and it is good to do some comparisons between various companies. Many prefer to buy according to the designs and model styles. Different companies have different models and some are really quite attractive. Ordering online is very common. When the microphones are being placed it must be done in a proper way so that the best results are obtained. The software that is associated with the phone must be calibrated perfectly. This is required both when you are setting the sound levels and also if you change the position of the microphone.
Another primary type of microphone is the dynamic microphones. Compared to condenser microphones, dynamic microphones are much more rugged. They are quite resistant to moisture, being “dropped”, and other forms of abuse, which makes them the typical choice for stage performances. You will find that most quality rock clubs (or any club featuring live entertainment) will have at least 4 or 5 of these microphones. Each will probably bear scars from its life (literally) & may even look “worn out”; however, they likely are still fully functional and sound just as they did the day they came out of the package.
Dynamic microphones are also able to withstand high SPLs. The transient & frequency response is a bit limited, but this actually makes them ideal for rock concerts, live vocals, drums, etc. A condenser microphone would likely keel over in agony if used in a live rock environment because they are just too sensitive. Dynamic microphones are not as dependent on the sound-deadening design of studios/recording booths as condenser mics. It is interesting to note that despite their high durability, dynamic microphones are typically cheaper than their condenser counterparts.
Also, omnidirectional devices, such as the AKG D230 ENG Dynamic Mic, allow sounds to be picked up even when the person speaking has his or head turned. In fact, this highly robust mic delivers exceptional sensitivity and clarity which could be well-suited for people such as journalists. People who are looking to buy a microphone for the first time would be well advised to take all these issues into account, considering what they intend to use it for and the environment in which it is to be set up.
The response on the microphone refers to the way how it is able to respond to a number of frequencies. microphones for singing It is a good idea to take a look at some factors when finding microphones. Dynamic mics are not only sturdy, they are less expensive that other microphones.