See how much you can learn about caminito, la boca when you take a little time to read a well-researched article? Don’t miss out on the rest of this great information.
Historians agree to draw the mouth as the place where Pedro de Mendoza founded the city of Santa Maria de los Buenos Aires in 1536. From early times the mouth of the Riachuelo was the natural port of Buenos Aires. Its depth would not allow ships of considerable draft, which joined the banks of sand that caused many problems, because the input was not exactly deep, it was necessary to add the growing and downspouts. Despite the drawbacks the Riachuelo continued since the late sixteenth century until the late nineteenth century in full force. Many projects were the need for a major port generated taking into account the site, one book by Mr. Carlos Pellegrini, proposed strengthening the mouth of the Riachuelo partially closing the exit with a lock for it to increase its flow and deepen its access channel. Projects and discussions on its feasibility and utility continued until it was finally adopted by Eduardo Madero, discarding the Huergo Ing leading to focus on the Riachuelo. The new port, concentrated further north, was the gradual deterioration of the stream. Nonetheless he remained the symbol of the neighborhood of La Boca and it is impossible to conceive of one without the other and vice versa.
At the end of last century it was a La Boca neighborhood in which he had a strong Italian presence with preponderance of Genoese origin. Immigration in the Rio de la Plata joined the country that are creating distinctive ways, habits, expressions on their new life. The presence of the Italian states eccentric input in developing its sociability. Gradually becoming the core features they provide to their peculiarities. Indeed, in those days Italy was a patchwork of nationalities and their colors that are reflected in our land, especially in La Boca. La Boca was because the area of greater Buenos Aires caravans received from that source. Among all the dominance of the Genoese came to books, later, a disaster would have been dangerous etnográfico for cohesive development.
Along with the Italian in all its diversity of color-side dominance ligurian always be warned of the existence of sectors formed by Dalmatian, Spaniards, Greeks, and some scattered groups of French and Saxons.
Although conditions were very adverse geographical always, settled there, the famous “barracks” which were very humble buildings where different storage products, leather tanning etc. As was typical of a passing sailors, they opened many pulperías. There were many Italians, who in 1882 signed a group of Genoese sent a report to the King of Italy reported that they had formed the Republic of La Boca. Immediately, the then Argentine President Don Julio A. Roca Genoese did remove the flag hoisted into place and ended the conflict.
The inhabitants of La Boca were always fun, noisy and gloomy. Xeneixe-spoke the dialect of the Genoese, as if they were on their land. They were hardworking and fraternal, to the point that several trained community support. Published newspapers, sports and cultural clubs founded. Given its high sensitivity to art in the neighborhood were born singers, musicians, poets and artists, many of whom have taken place in the popular preference.
He is best known for his strength of both volunteer firefighters for their professional work and for his community work.
La Boca is, undoubtedly, a neighborhood with character, was partly due to its particular architecture. Of course this is not alien to its inhabitants and the location of the neighborhood along the creek.
In the beginning of their homes were two types of wood or metal, both with iron balconies. It is still possible to find a considerable number of examples. They are really the image of La Boca.
Facades of corrugated iron are combined with rich wood trim moldings varied that match the borders. But not only the wood were also common enclosures of wooden rods overlapped forming rhombuses that separated the upper galleries of the balcony or a space created by closing part of the gallery entrance, on the ground floor. This “treillage” was not a mere decoration, but rather, their intention was to protect from sunlight.
The origin of various colors, becomes the surplus paint which sailors brought home, as the painting was expensive and limited the amount to paint the entire house the same color, it took until the last drop, so Consequently, the frames are first painted until exhausted, then move to the walls and paint far. Wood ornament was used up in the crown of railing, consisting of pieces of wrought iron, elements separated by square or rectangular tables superimposed on the boxes that applied moldings.
Arguably, the horizontal lines were, or are a characteristic of La Boca. Long overlapping planks in wooden houses and the groove of the plate in the other comments, in addition to cutting imitated stone buildings constructed in brick revoked, of course, took the Italian style of the moment. These buildings and equipment are a separate chapter, as it coincides with the gradual enrichment of many of the residents that fond of the neighborhood, stood in lifting housing in its interior furnishings and art objects accumulated in its new condition.
This growing prosperity is reflected in the concern for providing housing for the latest developments, or perhaps could be said to follow the latest fashions. This appeared in these houses equipment floor and first floor, large windows with screens or glass in neutral colors, green, red or blue, and decorated ceilings. However it is interesting to note that many of these houses alternated with traditional wood or sheet metal roofs with four waters, as opposed to the terrace for that time “modern”
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